Graduated from the Lisbon School of Fine Arts in 1936,  Egêa embarking on a career that spanned the evolution of architectural trends, from modernism to later movements in Portuguese architecture.

Throughout his career, Egêa was involved in significant projects across residential architecture and public infrastructure. His notable legacy in urban planning reflected his commitment to adapting architectural solutions to the social and cultural needs of Lisbon and other Portuguese cities. His work in urban rehabilitation and renewal during the 1960s was pivotal in shaping the modern infrastructure of Lisbon.

Egêa played a crucial role in designing social housing schemes, such as the 300-unit Bairro de Casas para as Classes Pobres in Olhão (1946–1949), in collaboration with Luís Guedes. This project demonstrated a blend of national architectural typologies with the local identity of Olhão, though adjustments, such as chimney designs, were requested to better align with regional customs. His architectural approach in Olhão was emblematic of a dual vision: combining local vernacular features with modernist ideals, thereby negotiating between tradition and modernity.

Egêa's contribution extended to cultural and civic projects, such as the design of a cinema-theatre in Fuseta (1947) and the Winterthur Building (now Liberty Seguros) in Lisbon (1969–1971). The latter, a striking 12-story brutalist office building, marked a transformative period in Lisbon's urban landscape, particularly in the Avenidas Novas district. Its distinctive sawtooth façade, angular descending windows, and unique cornice established a new architectural identity for the area, exemplifying the economic assertiveness of 20th-century corporate culture.

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PT/FAUL/ARQUIVO/AGE

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